Monday, June 25, 2018
For Tuesday: Boo, behind the beautiful forevers, Chs.10-13
Answer TWO of the following:
Q1: Discuss how one of these chapter titles really acts as a "thesis" to the ideas that follow. How did it help you understand and appreciate each story? Remember to consider the titles not merely literally, but also as symbols/metaphors for the characters and their inner dramas.
Q2: Why are people so callous to pain and suffering in the city considering they can relate--and often face the same suffering themselves? Consider the man hit by a car at the beginning of Chapter 10 who everyone--even Sunil--ignores and leaves for dead. Indeed, the only attention paid to the man is when he's long dead and his corpse is disturbing small children." You might consider Zehrunisa's quote at the beginning of Part 4 which reads, "Don't confuse yourself by thinking about such terrible lives."
Q3: Manju and her friend (from the Dalit caste), Meena, often spend time in the public toilets for a little "girl time." Reflecting on these moments, Boo writes that "The minutes in the night stench with Manju were the closest she had ever come to freedom" (185). What does this say about the life of a young girl of the slums, even in the "New" India? Why is she so unenthusiastic about her future--so much so, that she often contemplates committing suicide?
Q4: Abdul writes that "Even the person who lives like a dog still has a kind of life" (198). According to him, why is suffering, scavenging, and neglect still a worthwhile life--if not the best one? What does his time in prison allow him to see about the world of the slums? And does this strike you as a strictly Indian perspective (like doing one's duty), or is it more universal?
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